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	<title>Jeff Wendorff &#187; Workflow</title>
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	<link>http://jeffwendorff.com</link>
	<description>Jeff Wendorff: Wildlife photographer and workshop leader shares his photography, workshops and knowledge</description>
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		<title>Find Treasures in your Photographic Attic</title>
		<link>http://jeffwendorff.com/2011/05/find-treasures-in-your-photographic-attic/</link>
		<comments>http://jeffwendorff.com/2011/05/find-treasures-in-your-photographic-attic/#comments</comments>
		<pubDate>Mon, 16 May 2011 13:12:08 +0000</pubDate>
		<dc:creator>Jeff</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Orgnization]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://jeffwendorff.com/?p=2134</guid>
		<description><![CDATA[Gems await, you just have to do the work.]]></description>
			<content:encoded><![CDATA[<p>We all have that &#8220;attic&#8221; on out hard drives that is just full of old stuff that we have not seen in a while, sometimes years even. When the weather is bad or there just is not anything going on that I want to photograph, I force myself to go to the attic and see what treasure and or trash might be lurking.</p>
<p>When I made the switch to Lightroom a few years ago, I abandoned my beloved file system for a straight store by date system. We can debate the merits of this later, it works really well for me, but it does hinge on using keywords as if your life depended on it. This is something that I had not done prior to LR and it meant that I had about 60,000 images that were now stored by date alone. YIKES! I am still, 2 yrs later, going through the attic of my images and deleting the junk and keywording the treasures.</p>
<p>I really was a hoarder of images when I started, I mean I never deleted an image. EVER! All of those blurry, legs chopped off, and 9 identical shot bursts were on my hard drive. Ugh! No matter how far software technology progresses, you don&#8217;t need to keep busted pictures. Deleting them is a liberating if not really dull experience. The upside of this and the reason I can force myself into the attic, is I have a better eye now and I have more software skills. I can find nuggets in there and that makes this project time worth spending.</p>
<p>The other reason to do this is that I need to get all of that stuff keyworded, so I it can be found later. I can still look at my images and recall when and where I took it. As my portfolio grows and my grey cells are overloaded, this is not going to be so simple. Getting the images out of the attic and in to the light with keywords will be very useful in the future.</p>
<p>When you are bored or there is nothing to photograph go in to your attic and get to work, you never know what you might find. Here are some images I re-discovered this week in my attic.</p>
<p>Drop me a note and let me see what you&#8217;ve discovered.</p>

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<p>You can see all of my images and order prints if you would like&#8230;<a title="Jeff Wendorff's Photography Portfolio" href="http://portfolio.jeffwendorff.com/f809882309">HERE</a>.</p>
<p>&nbsp;</p>
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		<title>My Digital Workflow</title>
		<link>http://www.davidmiddletonphoto.com/blog/2010/12/29/my-digital-workflow/</link>
		<comments>http://www.davidmiddletonphoto.com/blog/2010/12/29/my-digital-workflow/#comments</comments>
		<pubDate>Wed, 29 Dec 2010 22:04:59 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[News You Can Use]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://www.davidmiddletonphoto.com/blog/?p=545</guid>
		<description><![CDATA[David Middleton shares his digital workflow.]]></description>
			<content:encoded><![CDATA[Before we get to the actual workflow I need to emphasize one important, actually very important, point. It is something I always say when I am presenting my workflow but I’m not sure the importance is ever fully appreciated.

Digital photographers have the most questions and concerns about the digital processing side of things and not the digital capture side of things. This is because most photographers (okay, all photographers) think that all sins can be corrected in the computer. While this may be true if you are a master processor, for most of us it is not true.  And even if you are a digital guru why bother to go through all the work and aggravation of extensive processing when it could be unnecessary?

You see, there shouldn’t be any sins to begin with. You don’t have to be a master mechanic if your motor never breaks down and you don’t have to be a master digital processor if you have very little to fix.

By far the most important part of my or any workflow is what happens before you get to your computer. If you eliminate the photographic errors and sins when you are taking the photo you won’t have to correct them later in your computer. (Now, if you don’t mind, take a moment and reread that last sentence. It is by far the most important part of the digital photography processes.) Optimizing capture will make your editing much easier and faster and your processing much, much more efficient and simpler.

If your picture is exposed properly in nice light, has a strong composition and solid technique there is not much you will have to do to it in your computer. Conversely, if you are always fiddling around with your images in your computer, tweaking every possible variable perhaps you should think about working your photography skills more and your computer skills less. And instead of getting a faster, newer computer with all the bells and whistles maybe you should practice taking a picture more or take a workshop for some serious instruction. Just a thought.

So let’s start with optimizing capture or taking the best photo you can. Do this right and the rest of your workflow will be a snap. I’ll do this cookbook style.

<strong>Capture</strong>

1. Evaluate the ambient photography potential

Is the light good? Would a flash or diffuser help? Is it the best/prettiest subject? Is   the background distracting? Is there a better angle and/or perspective? Are   the conditions the best they can be? Are you distracted or in a rush?

Is your composition the best it can be? Are you photographing a phrase rather    than an entire paragraph? Are you filling frame? Getting low enough?

Is your technique good, your tripod steady, your sensor clean, your mind clear?

Never settle and say “I can fix it later in the computer.” Fix it in the field!!

2. Take the picture:

Shoot in RAW, use a tripod when you can, matrix/evaluative metering most of the   time, spot metering for precision, aperture priority, -.7 auto compensation,    lowest  ISO possible, appropriate filtering, autofocus if possible.

3. Check blown out white areas (blinkies) &amp; histogram before shooting more pictures

Adjust settings (especially auto compensation value) as needed and as light    and subject changes.

Are the blinkies truly bad or are they just inconsequential?

4. Adjust composition to correct the flaws

Remove blank sky, garden out sticks, etc, change angle to improve background

5. Blast away as you continue to refine composition

6. Rough edit in camera as time permits

Get rid of the really obvious bad images. Let all the rest go.

<strong>Editing</strong>

1. Open Lightroom

Select proper catalog (library) if you have more than one. (I happen to)

2. Download card into catalog

Add broad keywords to pics on import.

i.e. autumn, Vermont, lobstering, etc.

[Usually a card will be all similiars but sometimes I may have two groups, say  ‘lobstering’ and ‘lighthouses’ on one card. In that case I would download all the  lobstering pics on the card with their broad keywords and then all the lighthouse  pics with their broad keywords. This assures that every image in my Lightroom  catalog always has at least some broad keywords attached to them]

3. Edit in Lightroom (Don’t edit and process together. Process after editing is finished)

Get rid of all the flawed, failed or inferior images.

a. Move through the images in Grid view using the &lt;- -&gt; arrows keys   b. Mark every bad one as rejected by hitting the letter X key.

c. Use X or Reject filter (X flag) to group all the rejects

d. Select all of the rejected images

e. Delete all of them (do not just Remove them!)

Go through all the images again and repeat above process and then  again as you    continue to refine your selections.

Use the Comparison or Survey views to judge similar images.

Keep only your best!!!! Don’t keep ‘sort of good’ images if you have better ones.

4. Organize your keepers in Lightroom

Drag into folders and/or

Use filters or ratings and/or

Make or move to collections and/or

Use keywords

<strong>Processing</strong>

1. Choose favorites or the ones you are going to use to work on

For 99% of pics I use the Lightroom Develop module for my processing.

I often tweak exposure, blacks, clarity, vibrance, crop

I rarely tweak recovery, color temp,  fill light, HSL/Color, use TAT     button, noise reduction, sharpness

My 3-minute processing rule:

If any image needs more than 3 min. work something is fatally wrong.

For a serious/troublesome processing (bad blemishes, scratches, to add words,    merges) I go to Photoshop for text, move, patch tool, pano stitching, etc.

2. Save as TIFF (or .psd )

<strong>Sharing</strong>

1. Use other Lightroom modules for Prints, send to Web or show as a Slide Show.

<strong>Note</strong>

Remember, this is just the way I do things.  I like progressively getting rid of inferior images until I am left with just the best ones. Others like to identify the best first and then get rid of all the rest. Either way works, it’s up to you. It is your workflow!]]></content:encoded>
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		<title>5 Star Culling</title>
		<link>http://jeffwendorff.com/2008/12/5-star-culling/</link>
		<comments>http://jeffwendorff.com/2008/12/5-star-culling/#comments</comments>
		<pubDate>Tue, 09 Dec 2008 22:16:29 +0000</pubDate>
		<dc:creator>Jeff</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Tutorial]]></category>
		<category><![CDATA[Workflow]]></category>

		<guid isPermaLink="false">http://jeffwendorff.com/?p=476</guid>
		<description><![CDATA[It is ironic that the first step in digital workflow is to actually delete most of the images that you have worked so hard to create. The images that were created with promise and passion must now be looked on without emotion or feeling and be culled, killed, deleted, zapped, smushed, axed! Such a cruel [...]]]></description>
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<p>It is ironic that the first step in digital workflow is to actually delete most of the images that you have worked so hard to create. The images that were created with promise and passion must now be looked on without emotion or feeling and be culled, killed, deleted, zapped, smushed, axed! Such a cruel sounding words for your dear pictures Webster&#8217;s defines culled as, &#8220;Something picked out from others, especially something rejected because of inferior quality.&#8221; See, you are doing it because of ‘inferior quality,&#8217; that should make you feel a little better.</p>
<p>Editing is the process of going to get rid of the inferior images now, not later. You don&#8217;t need them now and you&#8217;ll certainly never need them in the future, so why keep them on your hard drives? Yes, I know hard drives are cheap, but so what? Why keep inferior images when you have better ones? Software is always leaping forward and the things that we can do with images today are staggering to say the least. However, they are never going to create software that fixes focus, or composition, or subject or put chopped feet back on. Well, Ok you can sorta put feet back on, but ignore that for now, I&#8217;m on a mission. So lets get started.</p>
<p>Once your images are on your hard drive, use the browser of your choice to go through and get rid of the junk. I am currently using Lightroom and so this article is Lightroom centric, but the principles still apply. I use Lightroom because the process is so easy and simple and fast. Let&#8217;s start looking at the images and on this first pass our mission is to cull out the junk. We are not going to rate them or OOH and AHH, OK a little, but keep focused on getting rid of the bad stuff. When you see a stinker you simply hit the X key and that image is now marked for deletion. You have not deleted anything yet, but you have given notice that you intend to put that image in the trash can! Proceed through all of your images happily deleting the out of focus, legs cut off, bird flew out of the frame or otherwise obviously a waste of memory space images.</p>
<p>If you are an advanced user feel free to get rid of obvious dupes here as well. You neophytes, just get rid of the really bad ones. Now go to the grid view of the Library module and select the rejected flag. This will now show you all of the images that you just culled. Take a look at all of these images to make sure that you didn&#8217;t get falg happy and cull one too many images. If they are indeed all bad, select them all and then hit the delete key. Lightroom will ask if you want them out of the collection or deleted from the disk. You know what you have to do, deep breath&#8230;delete from disk! God job, Grasshopper. Don&#8217;t you feel better knowing those icky images are never going to show up to shame you on the internet?</p>
<p>This image shows a Lightroom screenshot.</p>
<p style="text-align: center;"><a class="highslide" href="http://cdn.jeffwendorff.com/wp-content/uploads/2008/12/culling.jpg"><img class="size-medium wp-image-477 aligncenter" title="Deleting the Images" src="http://cdn.jeffwendorff.com/wp-content/uploads/2008/12/culling-300x197.jpg" alt="" width="300" height="197" /></a></p>
<p>Now this is why my editing process is called 5 star culling. Some people see that they have all of these stars and colors and other hoohaws to mark their images for something. We really only need 3 stars and one of those is special. Why in the world would you want to rank one of your images as a 1 star image? To me that says it is already marked for deletion so why not get rid of it now before your emotions over rule reason and you keep the stinker. If it is a 1 star it shouldn&#8217;t be in your library. Keep your best and then the best of your best. I&#8217;m a 5 star photographer and so I only want my best, 4 stars and the best of my best, my 5 star images. You should be doing the same thing.</p>
<p>So, in this pass of reviewing images we are going to go through the images and you now have 3 options (in my system) to deal with images, rank it 3 stars, 4 stars or delete it. We&#8217;ll get to the 5 star thing in a minute. So now is when we have to be critical of our work. The first cull was easy the second is much more emotional. So look at your images, the best get 4 stars and the ones that deserve a second look get 3 stars. If it doesn&#8217;t meet those categories then it gets the X and is deleted. This is where you get rid of all of the duplicate shots. You know that 8 frame burst that captured a stationary object&#8230;yes that one, keep 1 delete 7. Mark the keeper as a 4 and move on. Also, get rid of all semi-duplicates. These are the ones where the subject eyes are closed or the head is turned or something is off. There will be times when the image is good and you are not sure about it, give these a 3 star rating. You should still only keep the best of the series from these 3 star shots. As with the round one culls, use the flag to find and then select the rejects, delete them. Now, I select all of my 4 stars and move them to my working folder. I keep a folder that are my &#8220;to be edited&#8221; images. I like to do this step as it helps me with my filing system. That is another article, stay tuned. I now move the 3 stars to a further review folder. I usually wait a week or two or even more sometimes and then come back and look at these images with fresh eyes. I then repeat the culling process on these images.</p>
<p>Now the 5 star pay off. We have now edited the images from the photo shoot and we have only processed our best shots. We have deleted the junk and are really satisfied with life. Now is when you reward yourself with that last 5th star. The 5th star is reserved for the best images in your library. Your library should never have more than about 100 5 star images at any given time. These are the 100 shots that you use to brag with friends and family, to show publishers your chops and to just enjoy after the work that you put in to making those images. After you reach 100 then when you want to nominate a new 5 star shot move a lesser image to a 4 star image. Lightroom has something called smart collections and it will automatically keep track of all images that you have rated 5 stars and with the click of a mouse all of your best are right there ready to be proud of. Hey you are a 5 star photographer now too!</p>
<p>Got a question or comment, sign in and leave it below!</p>
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